Namaste aur salaam doston, aapka swagat hai Tazakhabhar.com par, jahan khabron ki har teh tak jaana hamari aadat hai. Bollywood ek aisi duniya hai jahan har roz nayi kahaniyan banti hain, kuch parde par, aur kuch parde ke peeche. Aisi hi ek kahani hai Ajay Devgn ke mega-project, ‘Son Of Sardaar 2’ ki, jo banne se pehle hi itihaas ka hissa ban gayi. Saalon se fans is film ka intezaar kar rahe the, lekin achanak yeh project thande baste mein chala gaya. Kyun? Iska jawab hawa mein aisi afwaahon ke saath tair raha tha jiska naam tha ‘Saiyaara Wave’. Ji haan, wahi ‘Saiyaara’ wave, jiske baare mein kaha jaata hai ki usne ‘Son Of Sardaar 2’ ko dubaya. Ab, itne saalon baad, is film se judi ek important shakhsiyat, aani ki a talented actress Mrunal Thakur ne aakhirkaar apni chuppi todi hai. Unka khulasa sirf ek statement nahi, balki us daur ki poori film industry ki dasha aur disha par ek comment hai. Toh chaliye, hamare saath is exclusive report mein gehrai se jaante hain ki kya sach mein Saiyaara Wave ne dubaya Son Of Sardaar 2 ko? Mrunal ke khulase ke kya mayne hain aur is film ke band hone ke peeche ka asli sach kya hai.

Son Of Sardaar 2: Ek Adhoora Sapna Aur Battle of Saragarhi Ka Vision
Isse pehle ki hum Mrunal Thakur ke statement ka post-mortem karein, yeh samajhna zaroori hai ki ‘Son Of Sardaar 2’ aakhir tha kya. 2012 mein aayi ‘Son Of Sardaar’ ek zabardast hit thi. Ajay Devgn, Sonakshi Sinha aur Sanjay Dutt ki is action-comedy ne logon ko khoob hasaya aur box office par dher saare paise kamaye. Film ke end mein hi sequel ka ishara de diya gaya tha. Lekin Ajay Devgn ka vision is baar comedy se kahin zyada bada tha. Woh ‘Son Of Sardaar 2’ ko Battle of Saragarhi ki veergaatha par banana chahte the. Yeh wohi aitihasik ladai hai jahan sirf 21 Sikh soldiers ne 10,000 se zyada Afghan aakramankariyon ka saamna kiya tha. Is film ka scale ‘Bahubali’ ko takkar dene wala socha gaya tha. VFX, action, drama – sab kuch larger-than-life hone wala tha. Yeh Ajay Devgn ka ek passion project tha, ek sapna tha jise woh parde par aag ki tarah pesh karna chahte the. Is project ki घोषणा hote hi industry mein aur fans ke beech ek alag hi level ka excitement tha. Sabko lag raha tha ki Bollywood ko apna ‘300’ milne wala hai. Lekin phir kuch aisa hua ki yeh sapna, sapna hi reh gaya.
Kya Hai Yeh ‘Saiyaara Wave’ Jisne Industry Ko Apni चपेट Mein Liya?
Ab aate hain us mudde par jo hamari headline ka focus hai – ‘Saiyaara Wave’. Yeh term sunne mein thoda ajeeb lag sakta hai, lekin iske peeche ka matlab bohot gehra hai. ‘Saiyaara’ Ek Tha Tiger ka ek superhit gaana tha, lekin yahan iska istemaal ek metaphor ki tarah kiya ja raha hai. Yeh us daur ko represent karta hai jab Bollywood mein romantic dramas aur music-driven films ka bolbala tha. Aashiqui 2, Yeh Jawaani Hai Deewani, Raanjhanaa jaisi filmein box office par aag laga rahi thi. In filmon ka budget aam taur par 40-60 crore hota tha, lekin ek hit music album aur relatable love story ke dam par yeh 100-150 crore tak kama leti thi. Producers aur studios ke liye yeh ek safe bet tha. Unhe samajh aa gaya tha ki audience ko emotions, romance aur zabardast gaano ka cocktail pasand aa raha hai. Isi daur ko industry ke log ‘Saiyaara Wave’ kehne lage – ek aisi leher jahan content aur music, bade-bade action sets par bhaari pad rahe the. Is wave ne film-makers ko risk lene se roka. Unhe lagne laga ki 150-200 crore ek historical action film mein lagana ek bohot bada jua hai, jabki usse aadhe budget mein ek romantic film superhit ho sakti hai. Yahi woh ‘Saiyaara Wave’ thi jiske baare mein kaha jaata hai ki isne ‘Son Of Sardaar 2’ jaise ambitious project ke liye mahaul ko thanda kar diya.
Mrunal Thakur Ka Bada Khulasa: ‘Us Film Ka Scale Bohot Bada Tha, Lekin…’
Saalon ki khamoshi ke baad, Mrunal Thakur, jinke is project mein hone ki khabrein thi, ne haal hi mein ek interview mein isपर baat ki. Jab unse poocha gaya ki ‘Son Of Sardaar 2’ kyun nahi ban paayi, toh unka jawab bohot hi napa-tula aur gehra tha. Unhone kaha, “Uss film ka scale bohot bada tha. Woh Ajay (Devgn) sir ka ek passion project tha aur hum sab usko lekar bohot excited the. Lekin kabhi kabhi, aapke paas ek behtareen script aur vision hota hai, par timing sahi nahi hoti. Market dynamics bhi ek bohot bada factor hote hain jo decide karte hain ki kaun si film banegi aur kaun si nahi.” Mrunal ne seedhe shabdon mein ‘Saiyaara Wave’ ka naam nahi liya, lekin unka ‘market dynamics’ aur ‘timing’ ki taraf ishara saaf tha. Unke kehne ka matlab yahi tha ki uss waqt market ka trend historical war films ke liye shayad utna anukool nahi tha. Unka statement is baat par mohar lagata hai ki film creative differences ya script ki kami ki wajah se nahi, balki commercial viability aur us waqt ke box office trends ko dekhte hue roki gayi thi. Tazakhabhar.com ko mili jaankari ke mutabik, Mrunal ke is bayaan ne industry ke andar ek nayi behes chhed di hai ki kya box office trends ko itna haavi hone dena chahiye ki woh ‘Son Of Sardaar 2’ jaise ahem projects ko hi rok de.
Sirf ‘Saiyaara Wave’ Ya Parde Ke Peeche Ka Asli Villain Koi Aur Tha?
Mrunal Thakur ne ishaara toh kar diya, lekin ek zimmedaar news portal hone ke naate, Tazakhabhar.com ka farz hai ki hum har pehlu ki jaanch karein. Kya sach mein sirf Saiyaara Wave ne dubaya Son Of Sardaar 2 ko? Ya iske peeche kuch aur bhi wajah thi? Hamari research aur industry ke सूत्रों se बातचीत ke baad kuch aur ahem factors saamne aaye hain. Is kahani ka sabse bada villain shayad ‘Saiyaara Wave’ nahi, balki ek doosri film thi – Akshay Kumar ki ‘Kesari’. Ji haan, ‘Kesari’ bhi Battle of Saragarhi par hi aadharit thi. Jab yeh khabar pakki ho gayi ki Karan Johar aur Akshay Kumar is topic par film bana rahe hain aur woh bhi tezi se, toh Ajay Devgn ke camp mein khalbali machna laazmi tha. Ek hi kahani par do bade stars ki film aana, aam taur par dono filmon ke liye nuksaandeh saabit hota hai. ‘Kesari’ ki team ne production mein baazi maar li aur unhone apni film pehle release karne ki planning kar li. Aise mein, Ajay Devgn ke liye usi topic par ek aur mehengi film banana ek commercial suicide jaisa hota. Unhone samajhdari dikhate hue apne kadam peeche kheench liye. Isliye, ‘Saiyaara Wave’ ne mahaul zaroor banaya, lekin asli ‘checkmate’ toh ‘Kesari’ ke announcement ne kiya.
Budget, ROI Aur Practicality: Ek Passion Project Ki Maut
Passion apni jagah hai, aur business apni jagah. Bollywood ab pehle se kahin zyada ek corporate industry ban chuki hai, jahan har faisla Return on Investment (ROI) dekh kar liya jaata hai. ‘Son Of Sardaar 2’ ka anumaanit budget 150 crore se bhi zyada ka tha. Us waqt, itna bada budget recover karne ke liye film ko kam se kam 300 crore ka business karna padta. Jab market mein pehle se hi ‘Kesari’ jaisi film aa rahi ho, toh risk bohot badh jaata hai. Producers ke man mein yeh darr tha ki agar film audience ko utni pasand nahi aayi ya ‘Kesari’ se tulna mein kamzor lagi, toh nuksaan bohot bada ho sakta hai. Iske alawa, Ajay Devgn us dauraan ‘Golmaal Again’, ‘Baadshaho’ aur ‘Tanhaji’ jaise projects mein bhi busy the. ‘Son Of Sardaar 2’ unse poora samay aur dedication maangti, jo shayad us waqt practical nahi tha. Toh yeh kehna galat nahi hoga ki yeh film creative sapno aur commercial sachaiyon ke beech phans kar reh gayi. Mrunal Thakur ka ‘market dynamics’ wala statement isi commercial reality ki taraf ishara karta hai. Har khabar par gehri pakad ke liye, sirf Tazakhabhar.com par bane rahein.
Kya Ab Bhi Hai Koi Umeed? ‘Son Of Sardaar 2’ Ka Future
Toh ab sabse bada sawaal. Kya ‘Son Of Sardaar 2’ ka chapter hamesha ke liye band ho chuka hai? Iska jawab hai – shayad nahi. Ajay Devgn ne ‘Tanhaji: The Unsung Warrior’ ke zariye saabit kar diya hai ki woh historical films ke master hain. ‘Tanhaji’ na sirf critically acclaimed hui, balki usne box office par 350 crore se zyada ki kamaai karke sabko hairaan kar diya. Is film ki safalta ne yeh saabit kiya hai ki agar content mein dum ho toh audience historical action films ke liye paisa kharch karne ko taiyaar hai. Isse Ajay Devgn ka confidence bhi zaroor badha hoga. Ho sakta hai ki woh Battle of Saragarhi par na sahi, lekin ‘Son Of Sardaar’ franchise ko ek nayi kahani ke saath aage le jaayein. OTT platforms ke aane se bhi ek nayi ummeed jagi hai. Shayad yeh project ek film ke roop mein nahi, balki ek grand web series ke roop mein janam le, jahan kahani ko aur detail mein batane ka mauka mile. Fans aaj bhi is film ka besabri se intezaar kar rahe hain. Tazakhabhar.com jaise platform par social media trends batate hain ki is film ko lekar abhi bhi bohot buzz hai. Ant mein, sab kuch Ajay Devgn ke faisle par nirbhar karta hai. Woh ek aise actor-producer hain jo dil ki sunte hain, aur unka yeh passion project unke dil ke bohot kareeb hai.
Toh kul milakar, Mrunal Thakur ke khulase ne ek purane zakhm ko kured diya hai. Unki baaton se yeh saaf hai ki ‘Son Of Sardaar 2’ ke na banne mein us waqt ke ‘Saiyaara Wave’ yaani romantic filmon ke trend ka haath zaroor tha, jisne producers ko daraya. Lekin asli wajah ‘Kesari’ ka usse pehle aa jaana aur film ka zabardast budget tha. Yeh ek aisi kahani hai jo batati hai ki Bollywood mein ek film banana sirf creativity ka nahi, balki timing, competition aur business ka bhi khel hai. Hum umeed karte hain ki ek din Ajay Devgn is adhoore sapne ko zaroor poora karenge. Aapko kya lagta hai? Kya Saiyaara Wave ne dubaya Son Of Sardaar 2 ko? Apni raaye hamein zaroor batayein aur aisi hi exclusive aur analytical khabron ke liye padhte rahiye sirf aur sirf Tazakhabhar.com.
सन ऑफ सरदार 2 हिट है या फ्लॉप?
शुरुआत में पहले दिन ₹6.75–7.25 करोड़ की कमाई और वीकेंड में कुल ₹24–25 करोड़ हुई, लेकिन यह बजट के करीब भी नहीं पहुँची। सप्ताहभर में यह लगभग ₹32–35 करोड़ इंडिया नेट तक पहुंची
विशेषज्ञों और मीडिया रिपोर्टों ने इसे अजाय देवगन की पहली ऐसी सीक्वल फिल्म बताया जो बॉक्स ऑफिस पर नाकाम हुई
कौन सी फिल्म बेहतर है, धड़क 2 या सन ऑफ सरदार 2?
मिश्रित समीक्षाओं के बावजूद ‘ सन ऑफ सरदार 2 ‘ दर्शकों की ‘धड़क 2’ से अधिक पसंदीदा फिल्म बनकर उभरी।
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